Jess,
many film noir set in the golden age of Hollywood were in black and white due to the technology available and early costs of colour film. Later film noirs such as the Roman Polanski masterpiece 'Chinatown' were set in colour.
You identify codes and conventions and could expand on this.
Your analyses of opening sequences are very promising and show a good understanding of the texts and how to de-construct a media text.
Add the 'Blue Velvet' sequence also.
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